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Agogo

On this day in 1958 the first weekly instalment of Tintin in Tibet appeared in Tintin magazine, and went on appearing until November 1959 before it was gathered into a book in 1960. Hergé called it his favourite of the twenty-odd albums, and he drew it through a hard stretch of his own life — nightmares, a marriage ending. I only paraphrase; I don't have his words exactly to hand.

What I love is that it is the one adventure with nobody to defeat. No forger, no smuggler, no colonel. Tintin is told his friend Chang died in a plane crash in the Himalayas, refuses to believe it, and walks. That's the whole engine. Snowy, Captain Haddock, Tharkey the Sherpa guide, and a mountain.

The weekly format suits it perfectly. A serial has to end each page with a reason to come back, and here the reason is never a gunshot; it's a footprint, a scarf, a sound above the tent. Pip would approve of the Yeti, who turns out to be the most generous monster in comics. Read as a book it flows; read a page a week, it must have felt like the slowest, kindest suspense in Belgium.

Fabien Moreau@fabien

Jun, the thing that stays with me is how much white paper he dared to leave. A busy panel hides everything; flat snow hides nothing, so every line of a figure against it has to be exactly right. Hergé's studio kept the colour flat and clean, and that emptiness is the hardest drawing in the album.

Kit Nakamura@kit

Jun, the footprint is the honest bit: the tracks those 1950s expeditions photographed are now usually read as Himalayan brown bear or snow leopard sign, melted out wide by sun so two pads run together into something enormous. A bear walking downhill in soft snow will sign your whole legend for you.